søndag den 30. oktober 2011
Prada
The company was started in 1913 by Mario Prada and his brother Martino as a leathergoods shop - Fratelli Prada - in Milan, Italy. Initially, the shop sold leather goods and imported English steamer trunks and handbags.
Mario Prada did not believe that women should have a role in business, and so he prevented female family members from entering into his company. Ironically, Mario's son harbored no interest in the business, so it was his daughter Luisa Prada who took the helm of Prada as his successor, and ran it for almost twenty years. Her own daughter, Miuccia Prada, joined the company in 1970, eventually taking over for her mother in 1978.
Miuccia began making waterproof backpacks out of Pocone. She met Patrizio Bertelli in 1977, an Italian who had begun his own leathergoods business at the age of 17, and he joined the company soon after. He advised Miuccia—and she followed the advice—on better decisions for the Prada company. It was his advice to discontinue importing English goods and to change the existing luggage styles.
Development of Prada
Miuccia inherited the company in 1978 by which time sales were up to U.S. $450,000. With Bertelli alongside her as business manager, Miuccia was allowed time to implement her creativity onto design. She would go on to incorporate her ideas into the house of Prada that would change it.
She released her first set of backpacks and totes in 1979. They were made out of a tough military spec black nylon that her grandfather had used as coverings for steamer trunks. Initial success was not instant, as they were hard to sell due to the lack of advertising and high-prices, but the lines would go on to become her first commercial hit.
Next, Miuccia and Bertelli sought out wholesale accounts for the bags in upscale department stores and boutiques worldwide. In 1983, Prada opened a second boutique in Milan reminiscent to the original shop, but with a sleek and modern contrast to it. It was opened in the shopping district of Galleria Vittorio Emanuele II.
The next year, Prada released its definitive black nylon tote. That same year, the house of Prada began expansion across continental Europe by opening locations in prominent shopping districts within Florence, Paris, Madrid, and New York City. A shoe line was also released in 1984. In 1985, Miuccia released the "classic Prada handbag" that became an overnight sensation. Although practical and sturdy, its sleek lines and craftsmanship exuded an offhand aura of luxury that has become the Prada signature.
In 1987, Miuccia and Bertelli married. Prada launched its women's ready-to-wear collection in 1989, and the designs came to be known for their dropped waistlines and narrow belts. Prada's popularity skyrocketed when the fashion world took notice of its clean lines, opulent fabrics, and basic colors.
The logo for the label was not as obvious a design element as those on bags from other prominent luxury brands such as Louis Vuitton. It tried to market its lack of prestigious appeal, including the apparel, was its image of "anti-status" or "reverse snobbery."
Mario Prada did not believe that women should have a role in business, and so he prevented female family members from entering into his company. Ironically, Mario's son harbored no interest in the business, so it was his daughter Luisa Prada who took the helm of Prada as his successor, and ran it for almost twenty years. Her own daughter, Miuccia Prada, joined the company in 1970, eventually taking over for her mother in 1978.
Miuccia began making waterproof backpacks out of Pocone. She met Patrizio Bertelli in 1977, an Italian who had begun his own leathergoods business at the age of 17, and he joined the company soon after. He advised Miuccia—and she followed the advice—on better decisions for the Prada company. It was his advice to discontinue importing English goods and to change the existing luggage styles.
Development of Prada
Miuccia inherited the company in 1978 by which time sales were up to U.S. $450,000. With Bertelli alongside her as business manager, Miuccia was allowed time to implement her creativity onto design. She would go on to incorporate her ideas into the house of Prada that would change it.
She released her first set of backpacks and totes in 1979. They were made out of a tough military spec black nylon that her grandfather had used as coverings for steamer trunks. Initial success was not instant, as they were hard to sell due to the lack of advertising and high-prices, but the lines would go on to become her first commercial hit.
Next, Miuccia and Bertelli sought out wholesale accounts for the bags in upscale department stores and boutiques worldwide. In 1983, Prada opened a second boutique in Milan reminiscent to the original shop, but with a sleek and modern contrast to it. It was opened in the shopping district of Galleria Vittorio Emanuele II.
The next year, Prada released its definitive black nylon tote. That same year, the house of Prada began expansion across continental Europe by opening locations in prominent shopping districts within Florence, Paris, Madrid, and New York City. A shoe line was also released in 1984. In 1985, Miuccia released the "classic Prada handbag" that became an overnight sensation. Although practical and sturdy, its sleek lines and craftsmanship exuded an offhand aura of luxury that has become the Prada signature.
In 1987, Miuccia and Bertelli married. Prada launched its women's ready-to-wear collection in 1989, and the designs came to be known for their dropped waistlines and narrow belts. Prada's popularity skyrocketed when the fashion world took notice of its clean lines, opulent fabrics, and basic colors.
The logo for the label was not as obvious a design element as those on bags from other prominent luxury brands such as Louis Vuitton. It tried to market its lack of prestigious appeal, including the apparel, was its image of "anti-status" or "reverse snobbery."
Gabrielle Bonheur "Coco" Chanel
Gabrielle Bonheur "Coco" Chanel 19 August 1883 – 10 January 1971. Chanel was born in Saumur, France. She was the second daughter of Albert Chanel and Jeanne Devolle, a market stallholder and laundrywoman respectively at the time of her birth. Her birth was declared by employees of the hospital in which she was born. They, being illiterate, could not provide or confirm the correct spelling of the surname and it was recorded by the mayor François Poitou as "Chasnel".This misspelling made the tracing of her roots almost impossible for biographers when Chanel later rose to prominence.
Her parents married in 1883. She had five siblings: two sisters, Julie (1882–1913) and Antoinette (born 1887) and three brothers, Alphonse (born 1885), Lucien (born 1889) and Augustin (born and died 1891). In 1895, when she was 12 years old, Chanel's mother died of tuberculosis and her father left the family. Because of this, the young Chanel spent six years in the orphanage of the Roman Catholic monastery of Aubazine, where she learned the trade of a seamstress. School vacations were spent with relatives in the provincial capital, where female relatives taught her to sew with more flourish than the nuns at the monastery were able to demonstrate.
When Coco turned eighteen, she was obliged to leave the orphanage, and affiliated with the circus of Moulins as a cabaret singer. During this time, Chanel performed in bars in Vichy and Moulins where she was called "Coco." Some say that the name comes from one of the songs she used to sing, and Chanel herself said that it was a "shortened version of coquette, the French word for 'kept woman',"
Her parents married in 1883. She had five siblings: two sisters, Julie (1882–1913) and Antoinette (born 1887) and three brothers, Alphonse (born 1885), Lucien (born 1889) and Augustin (born and died 1891). In 1895, when she was 12 years old, Chanel's mother died of tuberculosis and her father left the family. Because of this, the young Chanel spent six years in the orphanage of the Roman Catholic monastery of Aubazine, where she learned the trade of a seamstress. School vacations were spent with relatives in the provincial capital, where female relatives taught her to sew with more flourish than the nuns at the monastery were able to demonstrate.
When Coco turned eighteen, she was obliged to leave the orphanage, and affiliated with the circus of Moulins as a cabaret singer. During this time, Chanel performed in bars in Vichy and Moulins where she was called "Coco." Some say that the name comes from one of the songs she used to sing, and Chanel herself said that it was a "shortened version of coquette, the French word for 'kept woman',"
Christian Dior
Christian Dior was born in Granville, a seaside town on the coast of France, the second of the five children. He had four siblings.
Christian's family had hopes he would become a diplomat, but Dior was artistic and wished to be involved in fashion. To make money, he sold his fashion sketches outside his house for about 10 cents each. In 1928 after leaving school he received money from his father to finance a small art gallery, where he and a friend sold art by the likes of Pablo Picasso.
After a financial disaster that resulted in his father losing control of Dior Frères, Christian Dior was forced to close the gallery. From the 1930s to the 1940s he worked with fashion designer Robert Piguet until being called up for military service. In 1942, having left the Army, Dior joined the fashion house of Lucien Lelong, where he and Pierre Balmain were the primary designers. For the duration of World War II, Christian Dior, as an employee of Lelong—who labored to preserve the French fashion industry during wartime for economic and artistic reasons—dressed the wives of the Nazi officers and French collaborators, as did other fashion houses that remained in business during the war, including Jean Patou, Jeanne Lanvin, and Nina Ricci.
On 16 December 1946 Dior founded his fashion house, backed by Marcel Boussac, a cotton-fabric magnate. The actual name of the line of his first collection, presented in early 1947, was Corolle, but the phrase New Look was coined for it by Carmel Snow, the editor-in-chief of Harper's Bazaar. Dior's designs were more voluptuous than the boxy, fabric-conserving shapes of the recent World War II styles, influenced by the rations on fabric. He was a master at creating shapes and silhouettes; Dior is quoted as saying "I have designed flower women." His look employed fabrics lined predominantly with percale, boned, bustier-style bodices, hip padding, wasp-waisted corsets and petticoats that made his dresses flare out from the waist, giving his models a very curvaceous form.
Initially, women protested because his designs covered up their legs, which they had been unused to because of the previous limitations on fabric. There was also some backlash to Dior's designs due to the amount of fabrics used in a single dress or suit. During one photo shoot in a Paris market, the models were attacked by female vendors.
Christian Dior died in Italy on 23 October 1957. Some reports say that he died of a heart attack after choking on a fish bone.
Christian's family had hopes he would become a diplomat, but Dior was artistic and wished to be involved in fashion. To make money, he sold his fashion sketches outside his house for about 10 cents each. In 1928 after leaving school he received money from his father to finance a small art gallery, where he and a friend sold art by the likes of Pablo Picasso.
After a financial disaster that resulted in his father losing control of Dior Frères, Christian Dior was forced to close the gallery. From the 1930s to the 1940s he worked with fashion designer Robert Piguet until being called up for military service. In 1942, having left the Army, Dior joined the fashion house of Lucien Lelong, where he and Pierre Balmain were the primary designers. For the duration of World War II, Christian Dior, as an employee of Lelong—who labored to preserve the French fashion industry during wartime for economic and artistic reasons—dressed the wives of the Nazi officers and French collaborators, as did other fashion houses that remained in business during the war, including Jean Patou, Jeanne Lanvin, and Nina Ricci.
On 16 December 1946 Dior founded his fashion house, backed by Marcel Boussac, a cotton-fabric magnate. The actual name of the line of his first collection, presented in early 1947, was Corolle, but the phrase New Look was coined for it by Carmel Snow, the editor-in-chief of Harper's Bazaar. Dior's designs were more voluptuous than the boxy, fabric-conserving shapes of the recent World War II styles, influenced by the rations on fabric. He was a master at creating shapes and silhouettes; Dior is quoted as saying "I have designed flower women." His look employed fabrics lined predominantly with percale, boned, bustier-style bodices, hip padding, wasp-waisted corsets and petticoats that made his dresses flare out from the waist, giving his models a very curvaceous form.
Initially, women protested because his designs covered up their legs, which they had been unused to because of the previous limitations on fabric. There was also some backlash to Dior's designs due to the amount of fabrics used in a single dress or suit. During one photo shoot in a Paris market, the models were attacked by female vendors.
Christian Dior died in Italy on 23 October 1957. Some reports say that he died of a heart attack after choking on a fish bone.
Christian Loubotin
Christian Louboutin is a French footwear designer who launched his line of high-end women's shoes in France in 1991. Since 1992, his designs have incorporated shiny, red-lacquered soles that have become his signature. He is born 7 January 1964. Louboutin helped bring stilettos back into fashion in the 1990s and 2000s, designing dozens of styles with heel heights of 120mm (4.72 inches) and higher. The designer's professed goal is to “make a woman look sexy, beautiful, to make her legs look as long as he can.” While he does offer some lower-heeled styles, Louboutin is generally associated with his dressier evening-wear designs incorporating jeweled straps, bows, feathers, patent leather and other similar decorative touches.
Louboutin received inspiration for his stilettos from an incident that occurred in his early 20s. He had visited a museum and noticed that there was a sign forbidding women wearing sharp stilettos from entering for fear of damage to the extensive wood flooring. This image stayed in his mind, and he later used this idea in his designs. "I wanted to defy that," Louboutin has said. "I wanted to create something that broke rules and made women feel confident and empowered."
Louboutin has topped The Luxury Institute's annual Luxury Brand Status for three years; the brand's offerings were declared the Most Prestigious Women's Shoes in 2007, 2008, and 2009.
Louboutin received inspiration for his stilettos from an incident that occurred in his early 20s. He had visited a museum and noticed that there was a sign forbidding women wearing sharp stilettos from entering for fear of damage to the extensive wood flooring. This image stayed in his mind, and he later used this idea in his designs. "I wanted to defy that," Louboutin has said. "I wanted to create something that broke rules and made women feel confident and empowered."
Louboutin has topped The Luxury Institute's annual Luxury Brand Status for three years; the brand's offerings were declared the Most Prestigious Women's Shoes in 2007, 2008, and 2009.
Fashion
I think that fashion is a thing that many thinks i very expensive but you can just choose what you thinks is cool and not to expensive. The price is not always the sign. you can go in H & M and find something there is just as modern as you can buy in Chanel.
you just have to find it.
you just have to find it.
tirsdag den 30. august 2011
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